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14-Sep-2016 00:52 by 9 Comments

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Lust has been, for many years, brazenly pre-eminent in Kepesh's life. When he finds himself falling in love with Consuela, he is rendered as jealous as a smitten teenager.

Cruz, who has matured immensely as an actress since the days when she was cast as the cloying European cutie in English-language films such as Captain Corelli's Mandolin and Vanilla Sky, gives a performance of considerable grace and strength.Indeed, her character's affair with Kepesh manages to illuminate one of the odd truths of relationships: that one is sometimes capable of greater honesty with people who are manifestly flawed.Still, despite Isabel Coixet's delicate direction and the exquisite cinematography, it took me rather a long time to warm to this film.'You're a charming man,' Consuela observes early on, except that for much of the time Kepesh is not charming at all..m-zeitgeist { float: left } /* for the IE6 lols */ .m-zeitgeist { padding-bottom: 0px; margin-bottom: -12px} .m-zeitgeist h2 { padding-bottom: 12px; } .m-zeitgeist #att-panes { background-color: #fff; float: left; } .m-zeitgeist .att-toggle-pane { min-width:280px; } .m-zeitgeist ol { padding: 0 5px; } .m-zeitgeist #most-zeitgeist ol { padding-left: 0; } .m-zeitgeist .zg-date { color: #D61D00; padding-left:5px; padding-top: 5px; } .m-zeitgeist ol li { clear: both; padding-left: 15px; } .m-zeitgeist div#att-most-viewed ol li.l1, .m-zeitgeist div#att-latest ol li.l1 { padding-bottom: 9px ! It could be his air of worldly knowledge, certainly, but more likely the human wisdom and kindness that accrue with age.

The latter two qualities, however, are not ones easily associated with David Kepesh (Ben Kingsley), a divorced, womanising professor who is forcefully attracted to a student, the Cuba-born Consuela Castillo (Penélope Cruz).

When he finally gets close enough to talk to her at a party, she begins to tell him about her family and her interests, and he muses to himself that he is only enduring the chat because he wants to 'f--- her'.

Since is based on Philip Roth's short novel The Dying Animal, it comes as little surprise to find ourselves in the unabashed territory of male sexual desire.

Kepesh and his closest friend, the Pulitzer Prize-winning poet George O'Hearn (Dennis Hopper) are never happier than when bashing a squash ball around a court and speaking with jovial, macho disrespect about the numerous women in their life.

O'Hearn, surely the most relentlessly unromantic poet ever to appear on screen, sternly advocates that a man shouldn't blur emotional yearning and desire in a mistress, and instead 'keep the sex part just for sex'.

Kepesh, who walked out on his wife and son (Peter Sarsgaard) many years ago, is a tireless advocate of commitment-free affairs: even his professional reputation rests, in part, on the excavation and celebration of hedonism in American history.